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2008 Highland Dance
Competition Results

Judge: Elizabeth Weaver, St Louis, MI
Piper: Bill Weaver, St Louis, MI
Primary
Beginner 7 & Under 9
Beginner 9 Years & Over
Novice 8 & Under 10 Years
Novice 10 & Under 12 Years
Intermediate
Premier 9 & Under 13 Years
Premier 16 & Under 16 Years
Premier 16 Years & Over
Primary:
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1st |
2nd |
3rd |
4th |
5th |
| Fling: |
115 |
114 |
117 |
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| Pas de Basques: |
115 |
114 |
117 |
116 |
111 |
| PDB & HiCuts: |
115 |
116 |
117 |
118 |
110 |
| Sword: |
115 |
110 |
114 |
117 |
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| 110: K. Jensen |
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| 111: C. Rosenval |
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| 114: F. Schwartz |
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| 115: L. MacFarlane |
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| 116: D. MacFarlane |
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| 117: T. Arthur |
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| 118: A. Arthur |
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Thank you to Highland Xpress for donating the Primary gifts
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Beginner 7 & Under 9 Years:
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1st |
2nd |
3rd |
4th |
| Fling: |
120 |
125 |
122 |
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| Sword: |
125 |
120 |
122 |
121 |
| Seann Triubhas: |
120 |
121 |
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| Lilt: |
120 |
121 |
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| Aggregate Trophy: S. Berkman |
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| 120: S. Berkman |
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| 121: C. Johnson |
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| 122: M. Stewart |
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| 125: S. McCormick |
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Beginner 9 Years & Over:
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1st |
2nd |
3rd |
4th |
| Fling: |
137 |
135 |
139 |
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| Sword: |
139 |
137 |
136 |
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| Seann Triubhas: |
135 |
139 |
138 |
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| Lilt: |
137 |
139 |
135 |
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| Aggregate Trophy: E. Briggs |
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| 135: C. Cameron |
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| 136: C. Beveridge |
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| 137: S. Chordigian |
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| 138: C. Bennett |
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| 139: E. Briggs |
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Novice 8 & Under 10 Years:
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1st |
2nd |
3rd |
4th |
| Fling: |
147 |
145 |
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| Seann Triubhas: |
147 |
148 |
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| Lilt: |
147 |
148 |
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| Flora: |
147 |
148 |
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| Aggregate Trophy: K. McNicoll |
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| 145: C. Jensen |
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| 147: K. McNicoll |
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| 148: A. Colemere |
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Novice 10 & Under 12 Years:
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1st |
2nd |
3rd |
4th |
| Fling: |
150 |
151 |
152 |
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| Seann Triubhas: |
150 |
151 |
153 |
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| Lilt: |
153 |
150 |
151 |
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| Flora: |
150 |
153 |
151 |
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| Aggregate Trophy: C. Vega |
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| 150: C. Vega |
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| 151: K. Palmer |
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| 152: B. Bennett |
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| 153: K. Stoker |
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Intermediate:
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1st |
2nd |
3rd |
4th |
5th |
| Fling: |
165 |
164 |
161 |
160 |
167 |
| Seann Triubhas: |
161 |
168 |
164 |
166 |
165 |
| Johnny: |
161 |
167 |
165 |
160 |
168 |
| Hornpipe: |
161 |
166 |
160 |
168 |
165 |
| Aggregate Trophy: C. Rosenvall |
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| 160: C. Taylor |
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| 161: C. Rosenvall |
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| 164: B. Morrill |
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| 165: T. Schwartz |
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| 166: K. Arthur |
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| 167: H. Epstein |
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| 168: E. MacNeil |
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Premier 9 & Under 13 Years:
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1st |
2nd |
3rd |
4th |
| Fling: |
172 |
171 |
174 |
173 |
| Seann Triubhas: |
172 |
174 |
171 |
173 |
| Johnny: |
174 |
171 |
175 |
173 |
| Hornpipe: |
172 |
171 |
174 |
175 |
| Aggregate Trophy: G. Schwartz |
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| 171: K. Finnegan |
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| 172: G. Schwarta |
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| 173: C. Barney |
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| 174: K. Campbell |
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| 175: B. Strong |
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Premier 16 & Under 16 Years:
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1st |
2nd |
3rd |
4th |
| Fling: |
185 |
183 |
181 |
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| Seann Triubhas: |
185 |
183 |
181 |
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| Johnny: |
180 |
181 |
185 |
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| Hornpipe: |
185 |
181 |
182 |
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| Aggregate Trophy: E. Johnson |
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| 180: C. Webber |
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| 181: T. Patterson |
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| 182: A. Brimhall |
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| 183: M. Abrahamson |
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| 185: E. Johnson |
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Premier 16 Years & Over:
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1st |
2nd |
3rd |
4th |
5th |
| Fling: |
192 |
196 |
195 |
193 |
194 |
| Seann Triubhas: |
192 |
197 |
196 |
193 |
195 |
| Johnny: |
193 |
192 |
196 |
197 |
195 |
| Hornpipe: |
192 |
195 |
194 |
197 |
196 |
| Aggregate Trophy: K. Macnaughton |
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| 192: K. Macnaughton |
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| 193: S. Isenman |
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| 194: K. Yamashita |
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| 195: C. Aguirre |
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| 196: K. Crane |
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| 197: E. Dietrich |
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The Las Vegas Celtic Society would like to congratulate all the dancers who participated at the 2008 Highland Games. We look forward to seeing you April 18-19, 2009!
A Bit of History ........
Scottish Highland Dancing
Dating back to before recorded history, the Highland Dances of Scotland
were originally highly athletic male dances of triumph, joy, and other
reflections of emotion. Competitive Highland dancing as we know it began
during the revival of interest in Highland culture during the 19th century.
Women first began competing at the turn of the century. Highland dances
require both athletic and artistic skill and are danced both informally
and in competition.
In competition, dancers are judged on three elements: timing, technique
and general deportment.
Timing is the dancers ability to follow the rhythm
of the music.
Technique concerns the dancers footwork and the coordination
of head, arms and hands. Good positioning of the feet is most important.
General Deportment concerns the dancers interpretation
and ability to capture the spirit and motif of the dance and includes
balance, overall appearance, bearing and carriage of the head, arms,
body and hands. Upright posture is essential, and the dancers must exhibit
a happy demeanor. Although the dances are very athletic, they must be
danced with seeming ease, with no signs of strain and free of elaborate
showiness.
For competitive purposes, each dancer is ranked according to one of five
groups: Primary, under 7 years of age; Beginner until winning 6 different
contests; Novice, until winning 6 more competitions; Advanced Intermediate,
for one year from date of last Novice competition; and the big leagues,
Open or Premiere. There are age classifications in each group.
History behind the 3 main Scottish Dances
THE HIGHLAND FLING
As with the Sword Dance, this is probably the oldest of the traditional
dances of Scotland - signifying victory following a battle. It has been
said that warriors danced the Fling around a small round shield called
a 'targe'. Most targes had a sharp spike of steel projecting from the
center, so dancers learned early to move with great skill and dexterity.
Another interpretation has the dancer celebrating a successful stag hunt,
the upraised arms and hands representing the antlers of a deer.
THE SWORD DANCE
The Sword Dance is mentioned in documents going back to the reign of
Malcolm III, King of Scots in the eleventh century. Known in Gaelic as "Canmore", "Great
Head", he allegedly danced over his bloody claymore, (the ancient
two-handed sword of Scotland), crossed with the sword of his defeated
enemy (or perhaps even over the severed head of his foe as well). Sometimes
a dirk, a Highland dagger, was placed blade uppermost in the ground and
the dance was performed over it.
THE SEANN TRIUBHAS
Pronounced "shawn trews", this Gaelic phrase means "old
trousers". After the Jacobite Rising of 1745 and the subsequent
defeat of the Highlanders at Culloden the following year, the British
Government passed an Act banning Highland dress (except in Highland regiments).
Forty years later, the Act was repealed. This dance depicts a man celebrating
the fact that he no longer has to wear his hated trousers but can return
to the freedom of the kilt.
Highland Dancing was originally used as calisthenics for the troops.
It is the oldest form of folk dancing. Modern ballet and square dancing
can trace their roots to Highland dancing. To be performed well it requires
aerobics, balance, flexibility and strength. |
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